In FAAT KINE, Ousmane Sembene, the unquestioned father of African cinema, calls his fellow Africans to a reckoning of the post-independence era at the beginning of a new century. At 77, he sums up 40 years of path-breaking filmmaking with a penetrating analysis of the interplay of gender, economics and power in today's Africa. Sembene accomplishes all this through the deceptively light domestic drama of Faat Kine, a gas station operator born, significantly, the same year as Senegalese independence, 1960.
FAAT KINE ie is, from its first shot to its surprising last, Sembene's tribute to what he calls the "everyday heroism of African women." In the opening frame, a procession of traditionally dressed women wends its way majestically through the hectic heart of modern Dakar. Faat Kine lets them pass and drives on as she carries their story into the present. Sembene has said: "Africa's society and economy are held together today by women. But how can women have these responsibilities and yet be denied the same privileges as men?"
Official Selection at the San Francisco International Film Festival.
"The welcome return of the master! He hasn't missed a step and we're lucky to have him back on his path." - The New York Times
